Note: Snapshot is only a summary and may leave ambiguities that are covered in the full BIP in the forum which takes precedent. This BIP is posted on behalf of Jonathan from SuperRare
This proposal seeks approval to include an existing Invisible Alchemy work in the upcoming SuperRare curated group exhibition We Have Digital Art at Home, opening Tuesday, February 10. The exhibition context aligns closely with the conceptual intent of Invisible Alchemy as defined in BIP-50, foregrounding Botto’s process, discarded works, and near-consensus outcomes rather than finalized mints. No new development, protocol changes, or additional production are required. The proposal also introduces a pricing guideline for this specific placement, calibrated to the exhibition’s curatorial framing while preserving Invisible Alchemy’s long-term positioning as a premium process artefact.
This proposal builds directly on BIP-50: Invisible Alchemy’s Future, which established Invisible Alchemy as a recurring, placeable artefact of Botto’s process and outlined its role as a collector-facing, exhibition-ready work.
We Have Digital Art at Home is a satirical, curator-led exhibition focused on digital works that appear understated, generic, or easily overlooked at first glance, and reveal their significance through systems, process, and time rather than spectacle. The exhibition title references the familiar phrase used to describe a substitute for something “name-brand.” Over time, those substitutes often develop their own meaning and value outside of consensus, hype, or immediate validation.
The exhibition brings together artists working across technical and non-technical practices who share an interest in:
This framing closely mirrors the intent behind Invisible Alchemy and offers an opportunity to situate the work within a thoughtful curatorial context rather than a market-driven or novelty-focused one.
As outlined in BIP-50, Invisible Alchemy is a single ERC-7160 token that accumulates and displays the highest-ranked discarded fragments from a Period. These fragments represent works that came closest to being minted, but ultimately were not.
Within the context of this exhibition, Invisible Alchemy:
Rather than positioning Botto as an AI novelty or image generator, this context presents Botto as a system that exposes how taste, authority, and value are formed, aligning closely with BIP-50 and earlier process-based works such as Cluster #069.
Work Details Work: Existing Invisible Alchemy token Format: ERC-7160, as previously implemented
Reference: https://opensea.io/item/ethereum/0x23bf39a6d2d2602a551e0b7d2b1a1ef10ae26590/4
Practical Details
This proposal concerns placement and contextualization of an already approved work, not the creation of a new one.
Pricing Guideline & Curatorial Alignment BIP-50 outlined an aspirational pricing trajectory for Invisible Alchemy with a minimum of 6 ETH and potential for future increases. For this specific exhibition placement, the intent is to align pricing with the exhibition’s conceptual framing and intended collector audience.
Given that We Have Digital Art at Home foregrounds process, infrastructure, and accumulation rather than immediate visual spectacle, the following pricing guideline is proposed:
This range is intended as guidance rather than a fixed mandate. The goal is not to optimize for short-term price outcomes, but to:
Exact pricing and commission would follow existing agreements unless otherwise determined by the DAO.
For more detail on the rationale of an embodied protocol, please see the full forum post.
Discussion here: https://discord.com/channels/829636834371960842/1466085634925138194